i'm living more in the present than in my head these days. i'm told it's a good thing, i'm halfway there.
so this blog is going private. it's going to be different, i'd imagine, i can't say how. but let me know if you still want to read.
Friday, October 28, 2011
Friday, September 2, 2011
one day we'll have this all straightened out
why can't everything just be somebody else's fault, just once?
if i could really believe it maybe i could've had the appropriate comeback, said all those things thought of later, and not withered into an apologizing pathetic mess.
as it is don't think i'm worth nothing. i've left a note stapled to his palm tree saying:
as it is don't think i'm worth nothing. i've left a note stapled to his palm tree saying:
Kindly post a sign if you'd prefer our dogs not pee on your lawn.
We understand that you are not an animal person, but surely you're aware that, like yourself, dogs have to go.
How are we to know that you will wait until after the pee to speak up, when, helpless, all we can do is shout apologies over your insults? How do you propose we rectify the situation now?
We do not appreciate being yelled at simply because we did not know.
anonymous, of course. i'm eagerly awaiting the retaliation. this should be good.
Monday, August 29, 2011
again
i feel dead.
each time as if the first time. that thrill of excitement coupled with a vague familiarity. has this happened before? what happens next?
now that i'm dead, what can i accomplish?
now that i'm dead, what can i accomplish?
Friday, August 26, 2011
please
no whisperings nor scurryings in the brain, just some quiet before the confusion takes over, please, just that, please
Thursday, August 25, 2011
whiplash
and so drink wine in the dead of night because your back hurts, chain-smoke as if it kills the pain rather than occupying endless hours. wear your grandmother's old silk robe that smells of lavender and tobacco, don't bother about tying the sash. when rouge-stained cigarettes and ash coat the floor take a valium, take whatever they've given you, pass out right there until your spine wakes you screaming.
and for heaven's sake don't show the girl who loves you how useless you are, clean up the wine before she wakes, brush your teeth, don't tell her how you're dead sure somewhere down by your gut that this will go on forever and she ought to leave you before you slip away into a cripple, a wino, a waif.
and for heaven's sake don't show the girl who loves you how useless you are, clean up the wine before she wakes, brush your teeth, don't tell her how you're dead sure somewhere down by your gut that this will go on forever and she ought to leave you before you slip away into a cripple, a wino, a waif.
Wednesday, July 27, 2011
it's always about time, isn't it?
what is there to say? i'm blissfully happy, and to write is to think and to think brings fear.
i'm starting to realise that quantitative priorities may not, indeed, be priorities at all, and here i am left adjusting to what other people call living. it's a terribly strange process. i feel upside down, with that same giddiness and my head about to burst. the first inclination is of course to keep track of all of this, write it and analyse it and let it slip me back into a familiar melancholy.
i suppose i shouldn't want to.
yes, it's all rather mixed up these days.
and so: she and i, we're dashing off to see the redwoods this weekend, the first road trip, it's going to be magnificent, yes! and quite intense if you're one of those still fumbling about with living. but hey, trees and wine and cigarettes and weed and the california coast, and maybe i'll just lose myself in the woods for a time, come back when something makes sense, or nothing at all.
i'm starting to realise that quantitative priorities may not, indeed, be priorities at all, and here i am left adjusting to what other people call living. it's a terribly strange process. i feel upside down, with that same giddiness and my head about to burst. the first inclination is of course to keep track of all of this, write it and analyse it and let it slip me back into a familiar melancholy.
i suppose i shouldn't want to.
yes, it's all rather mixed up these days.
and so: she and i, we're dashing off to see the redwoods this weekend, the first road trip, it's going to be magnificent, yes! and quite intense if you're one of those still fumbling about with living. but hey, trees and wine and cigarettes and weed and the california coast, and maybe i'll just lose myself in the woods for a time, come back when something makes sense, or nothing at all.
Saturday, July 16, 2011
Monday, July 11, 2011
this is called bravery
what is there to say? i'm avoiding those black welling pits inside me because i'm just so fucking happy. but they're boring through me, i smoke too much, i'm afraid to sleep, sporadic moments of panic spread hairline cracks and i feel so fragile.
i have to deal with them. i am scared of nothing else on this earth. but i have to.
i have to deal with them. i am scared of nothing else on this earth. but i have to.
Friday, July 8, 2011
terrors in the night
take pills to sleep and instead dream of dismembered body parts, dragging my own legs through the grass. late-night friends' cigarette smoke wafts in through the window and is it hot or just me that's soaked in sweat? reach to call 911 because my mother is threatening to kill me. i don't know what's dream anymore, what's waking, i'm turned upside down, i can't stop chain smoking because that's the most i do anymore. i've become so benign, so happy, so frightened.
this is the unknown, the shady area no one talks about. what do i do in the interim, when things are better but not yet whole?
this is the unknown, the shady area no one talks about. what do i do in the interim, when things are better but not yet whole?
Tuesday, July 5, 2011
i'm not east coast anymore, you know
why must i always be in airports, eating terrible things? i'm gone now, no more mother with her questions and secret covetous glances, no more cousins no more bug bites no more beautiful green land and ancient trees, no more crickets, no more cottage being slowly overtaken by the earth.
i found i could touch everything again, on the wooden swing with the wind on my face at sunset. isn't it always thus? it's terribly cliche but it's so, you can't always love the things you loved as a child, and i spent the remaining days on the roof and writing and staring out into the trees, trying to imagine how to make my own sanctuary like this in the west.
my mother said so i hear you're seeing someone and TELL ME ABOUT HER and i blushed and turned up the water so i could feign not hearing her because the key is navigating these situations so they occur in the right time and place. or maybe i am just a coward. it is easier to assume she will not approve, one more black mark, one more reason to not go home.
and now. will all her piercing looks and stabs in the gut come gushing forth in tears and sick and blood this week? will she have gotten in and felled me to my knees? stay tuned i guess. i'm feeling ambivalent.
i found i could touch everything again, on the wooden swing with the wind on my face at sunset. isn't it always thus? it's terribly cliche but it's so, you can't always love the things you loved as a child, and i spent the remaining days on the roof and writing and staring out into the trees, trying to imagine how to make my own sanctuary like this in the west.
my mother said so i hear you're seeing someone and TELL ME ABOUT HER and i blushed and turned up the water so i could feign not hearing her because the key is navigating these situations so they occur in the right time and place. or maybe i am just a coward. it is easier to assume she will not approve, one more black mark, one more reason to not go home.
and now. will all her piercing looks and stabs in the gut come gushing forth in tears and sick and blood this week? will she have gotten in and felled me to my knees? stay tuned i guess. i'm feeling ambivalent.
Sunday, July 3, 2011
lake house
i don't own this place anymore. i've lost the ability to frolic. too many people are watching, the dynamic has changed, the blueberries won't ripen until late july and i have forgotten how to lose myself.
i'm not all here, i'm drunk on too much wine in a family that doesn't drink, i'm throwing up in the woods behind the house in the dark, i'm in the cottage listening to the rain fall on the roof and it's lovely here but i'm numb, i'm as if underwater, in a dream, i can't quite touch.
i'm just waiting. i just want to go home to the girl i can't tell anyone about.
i'm not all here, i'm drunk on too much wine in a family that doesn't drink, i'm throwing up in the woods behind the house in the dark, i'm in the cottage listening to the rain fall on the roof and it's lovely here but i'm numb, i'm as if underwater, in a dream, i can't quite touch.
Thursday, June 30, 2011
purgatorio
first time forever in an airport and not hungover and wanting to die. i have a bubble-wrap of joy around me, a lovely hummingbird waiting for me at home.
so. five days with my family, the very nexus of my distress. is this just anticipatory numbness, or am i really feeling all right? yes, go on, give me your third-degree. don't expect my affection because i won't do it anymore, i can't, you're a black hole, you're sucking my insides out. i am still strong yet. i will not let you leech my joy. i will not be your charcoaled remains.
it's sunny outside, and hot and dry, did you know? not for long. i'm sitting here in limbo, in no-place, the spaces between worlds, a confluence of ten thousand anonymous people in rows of space-age chairs, bad carpeting, useless knickknacks for sale, just waiting. i, for one, am waiting to be judged.
Sunday, June 26, 2011
unicorn
yes, i've fallen in love, darlings!
i never knew it could be this good, that life could be this good, she could be this lovely, i could be this ok.
and don't tell me it won't last; i won't listen, i'll cover my ears and sing and daydream and skip in the summer sun with my legs bare. i mean, wouldn't you?
i never knew it could be this good, that life could be this good, she could be this lovely, i could be this ok.
and don't tell me it won't last; i won't listen, i'll cover my ears and sing and daydream and skip in the summer sun with my legs bare. i mean, wouldn't you?
Friday, June 24, 2011
reverie
you see, she is stealing all my time, or am i giving it to her? gladly. my heart is on fire and it renders me clumsy and inarticulate. broke my thumb in the car door last week, you can imagine how it is to type, compensating for the space bar with whichever finger is convenient. i don't mind. if only my words would come out with grace, if only i did not have to tell her through my fingers on her skin, in her hair, small kisses in the night, how my chest will burst with this madness that some i suppose call happiness, this strange foreign state i cannot bring myself to believe in.
an inverted world in which sadness is comfort and happiness the unattainable challenge, the unknown fear. well, i'll be the warrior here, the conquerer. fuck cowardice. truth is, she's just as scared as i am, just as inarticulate, and oh how just as brave.
my hair is honey blonde and red now, have i mentioned that yet? a friend said today i was glowing, she said at first she thought it was my hair and hot pink sunglasses but no indeed, i am bursting forth from inside, luminescent. you caused that, love. phosphorescent fungi in the pitch dark, readmitting radiation slowly over time, bright enough to light a path long hours into the night, for days, for weeks, for years.
i see color again in the world and pick her bouquets of aged flowers, it's never enough, i don't know what to do with all this joy and you know, i'm afraid of it, i'm awkward when it comes to love, i'm afraid to let the fuck go because isn't this somebody else's life i'm supposed to be living? and what we do in the in-between times when it's just the two of us, is that really for me alone? i find i close my eyes and look away, she shines too brightly and i'm afraid to see this for what it is, that is to say, those words not-yet-to-be-said but which clog my throat and hitch my breath. yes, and i'm falling.
i'm trying not to over-think things, i'm trying to let go. i've passed the point of running now, you're worth it, love, you're worth it ten thousand times over, if only i could tell you so
an inverted world in which sadness is comfort and happiness the unattainable challenge, the unknown fear. well, i'll be the warrior here, the conquerer. fuck cowardice. truth is, she's just as scared as i am, just as inarticulate, and oh how just as brave.
my hair is honey blonde and red now, have i mentioned that yet? a friend said today i was glowing, she said at first she thought it was my hair and hot pink sunglasses but no indeed, i am bursting forth from inside, luminescent. you caused that, love. phosphorescent fungi in the pitch dark, readmitting radiation slowly over time, bright enough to light a path long hours into the night, for days, for weeks, for years.
i see color again in the world and pick her bouquets of aged flowers, it's never enough, i don't know what to do with all this joy and you know, i'm afraid of it, i'm awkward when it comes to love, i'm afraid to let the fuck go because isn't this somebody else's life i'm supposed to be living? and what we do in the in-between times when it's just the two of us, is that really for me alone? i find i close my eyes and look away, she shines too brightly and i'm afraid to see this for what it is, that is to say, those words not-yet-to-be-said but which clog my throat and hitch my breath. yes, and i'm falling.
i'm trying not to over-think things, i'm trying to let go. i've passed the point of running now, you're worth it, love, you're worth it ten thousand times over, if only i could tell you so
Monday, June 13, 2011
intensity
a picnic on the beach, blue cheese-stuffed figs wrapped in bacon and a bottle of wine and i'll kiss her in public and i don't care, and all i can think lying curled up with her nights is this is too good to be true, i don't deserve this, she's going to find out what a wreck i am and back away and break my glass heart.
red wine and chain-smoking i say too much or i say not enough; never the right things, anyway. i can't explain to her how my chest is imploding because it's too complicated, how i'm trying to stay present, i'm trying to ignore myself, i'm trying not to tell lies and i'm shit-scared here because happiness is not what i know
but all i want is to trust
and she's worth it and oh fuck am i scared
red wine and chain-smoking i say too much or i say not enough; never the right things, anyway. i can't explain to her how my chest is imploding because it's too complicated, how i'm trying to stay present, i'm trying to ignore myself, i'm trying not to tell lies and i'm shit-scared here because happiness is not what i know
but all i want is to trust
and she's worth it and oh fuck am i scared
Wednesday, June 1, 2011
if a beginning is even discernible in the midst of irrelevant events
afternoon sun on the back of my neck, you sit with me while i drink my tea and smoke and then walk me to the corner, you didn't have to, we both know that. i insist you make blueberry muffins and tell you i'll come tomorrow, i swear this time i will.
we're playing games, aren't we, waltzing around each other in this in-between space where i don't know you and you don't know me yet but there's something charged here. i'll keep the secrets buried and maybe they'll dissipate on their own. i'd forgotten how it was to laugh like this, how my skin sheds, how light i am underneath.
you can't break my heart because for now i'm just dreaming. in my head it's lovely, the fast-footed dance so captivatingly sweet, when there are still ten thousand outcomes, still elbow room in the world, when possibility is more potent than desire.
i'll see you tomorrow, i suppose. i won't sleep tonight but i'll never tell you so.
we're playing games, aren't we, waltzing around each other in this in-between space where i don't know you and you don't know me yet but there's something charged here. i'll keep the secrets buried and maybe they'll dissipate on their own. i'd forgotten how it was to laugh like this, how my skin sheds, how light i am underneath.
you can't break my heart because for now i'm just dreaming. in my head it's lovely, the fast-footed dance so captivatingly sweet, when there are still ten thousand outcomes, still elbow room in the world, when possibility is more potent than desire.
i'll see you tomorrow, i suppose. i won't sleep tonight but i'll never tell you so.
Thursday, May 26, 2011
trying to catch the horses
the earth spins so fast with so many sounds of freeways and fire and ice cream trucks and i can't keep up, the long-lost brief smells of horses and leather and hay. i can't keep up, i'm exhausted, i can't catch hold, or is it me who is skipping about too quickly to keep pace with?
i'm in a time-muddle. i feel afire.
but aren't they lovely, these early sunny summer days?
i'm in a time-muddle. i feel afire.
but aren't they lovely, these early sunny summer days?
Trying to Catch the Horses
When I give up and turn my attention
to the purr of the grass, the clatter of the aspen,
the clouds lifting off Mt. Teewinot,
I become a curious god, a tar baby,
a clump of grass they must graze.
I reach up and touch the blue with my fingers,
not just the air above my head,
but the sky itself as far as it goes.
-Dan Gerber
Thursday, May 19, 2011
must we have to try so hard to not be dissatisfied with everything?
You need not leave your room, remain sitting at your table and listen. You need not even listen, simply wait, just learn to become quiet, and still, and solitary. The world will freely offer itself to you to be unmasked. It has no choice; it will roll in ecstasy at your feet.
(from grey)
in the interim, shall i watch fellini films, listen to bowie, grow antique roses on the windowsills?
is it so hard to imagine sitting so still, stilling the mind, the body, stilling the heart? what terror is there in this attention to time that we spend so long evading?
(from grey)
in the interim, shall i watch fellini films, listen to bowie, grow antique roses on the windowsills?
is it so hard to imagine sitting so still, stilling the mind, the body, stilling the heart? what terror is there in this attention to time that we spend so long evading?
Wednesday, May 18, 2011
new task
my lips are eroding with how much i haven't said. coy smiles and downturned eyes are all that's needed these days, an opportune blush, a placid face, a complacency with awkward silences. nobody cares much for anything beyond themselves. i dreamt last night my fists spoke for me. if only words could bring forth such blood.
i'm rapidly losing faith in confidentiality, those things i've said blown open over and over in the past week. what need have i for words, anyway?
i'm fifteen years old again, they're taking everything from me, they're reading everything, i've no space left.
i'm trying to burn a hole in my stomach. a secret cavity, sore to the touch. i'll hide secrets in there, they'll cut me up and they'll never know because i'll never tell, innocuous grapefruit juice top shelf in the fridge--oh yes, this is a vice they can't spurn me for. i'll be the rogue but i won't be the child, i'll cheat, oh yes, i've always been a cheat, a liar, a fraud-daughter, too many pejorative adjectives affixed to my name. don't think i can't wield those too.
i'm rapidly losing faith in confidentiality, those things i've said blown open over and over in the past week. what need have i for words, anyway?
i'm fifteen years old again, they're taking everything from me, they're reading everything, i've no space left.
i'm trying to burn a hole in my stomach. a secret cavity, sore to the touch. i'll hide secrets in there, they'll cut me up and they'll never know because i'll never tell, innocuous grapefruit juice top shelf in the fridge--oh yes, this is a vice they can't spurn me for. i'll be the rogue but i won't be the child, i'll cheat, oh yes, i've always been a cheat, a liar, a fraud-daughter, too many pejorative adjectives affixed to my name. don't think i can't wield those too.
Thursday, May 12, 2011
intermittency
waiting, waiting, waiting, waiting.
trying to determine who i am without the rebellion.
deny me all you want but i stand by my lies, they're all i've got
trying to determine who i am without the rebellion.
deny me all you want but i stand by my lies, they're all i've got
Sunday, May 8, 2011
tell me again about unconditional love
my brain goes off half-cocked and freezes there. i learn things every day and all they do is clog my synapses. i see white everywhere i go, black static at the edges, the swoop of motion, the rattle of keys. i'm trapped in this room because i cannot face the outside world.
you've always been a country girl, she says, maybe your anxieties are from that city. but then: until you find God again you'll be out of kilter, so i'm not taking anything too seriously. i give her back one of her awkward silences, a debt it'll take more than my lifetime to repay.
i'm about to be caught in my lies, the biggest ones. waiting on the cusp, it's sunday, no mail, no phone calls, just waiting. cigarettes taste like ash in my mouth, hot and dry. thank you now you've ruined this too.
truth is, i'll never be you
you've always been a country girl, she says, maybe your anxieties are from that city. but then: until you find God again you'll be out of kilter, so i'm not taking anything too seriously. i give her back one of her awkward silences, a debt it'll take more than my lifetime to repay.
i'm about to be caught in my lies, the biggest ones. waiting on the cusp, it's sunday, no mail, no phone calls, just waiting. cigarettes taste like ash in my mouth, hot and dry. thank you now you've ruined this too.
truth is, i'll never be you
Thursday, May 5, 2011
i'm wearied now of owning my own heart
yes, i offered to pick her up from jail this morning because i have a need to prove i'm not useless because i am a good friend. i have no intention of getting in the middle, she's all yours, my dear, you know she's not my type. don't mistake my awkwardness for disappointment; i am merely trying to memorize the feeling of being valued. of course you need to rush in and save her, of course i'll go back to doing whatever it is i wasn't doing before.
but hey, i'm good in a crisis, i'm good at 3am when you're stranded drunk at a gas station in pasadena in your short black dress and heels, where the cops left you after they cuffed your girlfriend, ma'am, is there someone you can call? yes, of course there is, i'm good, i'm here, i'll talk you through it, i'll save you until she's free again and you can rush in, the heroine.
really, it's just the coincidence of sobriety and reliability. i'll never be the loose cannon, the rogue, the one asking to be saved. vicarious drama is, in the end, only a surrogate, and i'm excruciatingly bored.
but hey, i'm good in a crisis, i'm good at 3am when you're stranded drunk at a gas station in pasadena in your short black dress and heels, where the cops left you after they cuffed your girlfriend, ma'am, is there someone you can call? yes, of course there is, i'm good, i'm here, i'll talk you through it, i'll save you until she's free again and you can rush in, the heroine.
really, it's just the coincidence of sobriety and reliability. i'll never be the loose cannon, the rogue, the one asking to be saved. vicarious drama is, in the end, only a surrogate, and i'm excruciatingly bored.
Saturday, April 30, 2011
salinger
how can one person feel so much at one time, and feel nothing? i am not in my body just now. dissociated, they tell me. fancy word for momentary brain-deadness, for separation of mind from body or mind from itself.
it's terribly peaceful and i'm quite frightened.
i'm wearing that placid face, i can't feel my legs, i want a cigarette but the thought of leaving the house, of existing in the outside world is making me tremble. cocktails of pills are all that's keeping me conscious through these blurring endless days.
i'm turning into a ghost. i'm excruciatingly bored and what a waste, what a waste, i'm slipping out of sight, out of mind, out of hand.
it's terribly peaceful and i'm quite frightened.
i'm wearing that placid face, i can't feel my legs, i want a cigarette but the thought of leaving the house, of existing in the outside world is making me tremble. cocktails of pills are all that's keeping me conscious through these blurring endless days.
i'm turning into a ghost. i'm excruciatingly bored and what a waste, what a waste, i'm slipping out of sight, out of mind, out of hand.
Thursday, April 28, 2011
hero complex
my dear, is it you who are distancing us or just the semi-gloss of making up with the girl we both know is pulling you down? you can't save her. no one can. i can't save myself either but the difference is i don't let you try.
not-feeling is a lost art. i have become too triangulated in your relationship, the third party, the convenient one.
i'd tell you this if you fed me red wine by the bottle, asked me about my sudden retreat. but i'd like to think i'm in the right in my silence, that truth is too rash and acknowledging my existence as such too fanciful.
not-feeling is a lost art. i have become too triangulated in your relationship, the third party, the convenient one.
i'd tell you this if you fed me red wine by the bottle, asked me about my sudden retreat. but i'd like to think i'm in the right in my silence, that truth is too rash and acknowledging my existence as such too fanciful.
Tuesday, April 26, 2011
susurration
i never said yes, i just didn't say anything at all. you didn't ask and i pulled down my sleeve in what i would call a surreptitious gesture. silence speaks for us and that's all that's in my head just now. don't interrupt. it's hot out already, it's still morning, the smoke stalls in a cloud around my face. blocking the sun, i guess. i feel poisoned.
everything ends up too repetitive after a while, you know?
you're here but i'm not. not really. my apologies.
everything ends up too repetitive after a while, you know?
you're here but i'm not. not really. my apologies.
Sunday, April 17, 2011
when the rose sun sets over the hollywood hills
and a quiet in my head in direct contradiction with the city, everything embossed with meaning and placement in space, that car to my left, red light means stop as in stop the car not cease all physical movement, my fingers growing tired of holding this cigarette, the bones and muscles working just so for just so long, repetitive movements through space are nearly but not always predictable.
and a warm nostalgia for things having been, the lost circumference of one's thighs, a whole absorption in this one book at this one time in which this particular writer's words spill out of you later on, ingested and chemically altered to become your own, a loss of friends, a loss of joy, a loss of complacency with lazy sunday afternoons.
but still glimpses, yes! early-afternoon brunch, a swept floor, the coolness of indoors and a curtained soft white sun, casual cigarettes and the right book, the right voices wafting in through the screens and it's ok because, you see? fleeting remembrance has so much more depth and the twilight still holds the echoes of the fire of the setting sun, ten minutes past.
and a warm nostalgia for things having been, the lost circumference of one's thighs, a whole absorption in this one book at this one time in which this particular writer's words spill out of you later on, ingested and chemically altered to become your own, a loss of friends, a loss of joy, a loss of complacency with lazy sunday afternoons.
but still glimpses, yes! early-afternoon brunch, a swept floor, the coolness of indoors and a curtained soft white sun, casual cigarettes and the right book, the right voices wafting in through the screens and it's ok because, you see? fleeting remembrance has so much more depth and the twilight still holds the echoes of the fire of the setting sun, ten minutes past.
Saturday, April 16, 2011
vacuum
ages in the sinkhole. if only i were not mired in something so basic as the human condition.
i just feel so terribly ordinary, you know?
i just feel so terribly ordinary, you know?
Wednesday, April 6, 2011
la la land
the meterologists here are great at telling us what the weather is, not what it will be. they lie again and again and i am forced to strip off jackets, sweaters, knee boots in a sudden midday sun. you think they'd learn but this is a city of denial.
the future tense is impossible to comprehend without hope in the equation. that's all we're built on, west of the san andreas. without it we'll slide off into the sea. good riddance. no one would miss us.
they'd miss the movies, though.
the future tense is impossible to comprehend without hope in the equation. that's all we're built on, west of the san andreas. without it we'll slide off into the sea. good riddance. no one would miss us.
they'd miss the movies, though.
Monday, April 4, 2011
partial suicide
let's pretend it was the tequila, a bad reaction to tequila that made me vomit all over my boots for hours, reduced my limbs to dead weight. i don't remember blacking out, but who does? just hands, being carried, the irresistible pull of gravity on my body, the inability to do anything but be swept along. yes, the tequila.
slumped over my roommate's arm i looked Death in the face and said, all right, i'm ready.
it was terribly peaceful.
woke in the morning, surprised that i had. can't shake the disappointment. there was a beautiful finality about the whole evening.
slumped over my roommate's arm i looked Death in the face and said, all right, i'm ready.
it was terribly peaceful.
woke in the morning, surprised that i had. can't shake the disappointment. there was a beautiful finality about the whole evening.
three days i've been in a daze: what next?
Thursday, March 31, 2011
suspended
there's nothing like owing a large amount of money suddenly and a blistering 90-degree day to make you think of faking your own death. really i just want to get out of here. i'm all right with living, it's life that's the problem.
really i just want to get in my car and drive up the coast with tom waits blaring and the salt wind blowing, drive until there's no coast left, until there's no gas left and no cash left and it's just me at the edge. stumbling on beneath the redwoods. screaming into the sea. and so on.
always sounds more romantic than it would be.
but which is the more cowardly thing to do, to stay here half naked and sweating amongst the bright lights of this shadowless city, or to run? whichever it is i'll be doing that.
pass the wine please. no i'm not giving it back. and get your own cigarettes, i'll be needing all of mine. and do please start talking. i've had enough silence for a while.
really i just want to get in my car and drive up the coast with tom waits blaring and the salt wind blowing, drive until there's no coast left, until there's no gas left and no cash left and it's just me at the edge. stumbling on beneath the redwoods. screaming into the sea. and so on.
always sounds more romantic than it would be.
but which is the more cowardly thing to do, to stay here half naked and sweating amongst the bright lights of this shadowless city, or to run? whichever it is i'll be doing that.
pass the wine please. no i'm not giving it back. and get your own cigarettes, i'll be needing all of mine. and do please start talking. i've had enough silence for a while.
Monday, March 28, 2011
there is the purring, at least
home to shower. first time in days. i can smell it on me. the cats have destroyed everything, knocked the roses over, the rose water into the litter box, as if they themselves had made the Great Flood. how presumptuous. she said to me black eyeliner brings out the black in your hair and i have been wearing it since. leaving traces on pillows in the beds i sleep in, black flutters pressed into the cotton. can you read the torments in my dreams?
like Rogue but my hair's turned black instead, black for every dream i can't breathe i'm smothered i can't fight i'm trapped. it's not the cat's fault she sleeps on my chest. it's the same black dreams any way.
Sunday, March 20, 2011
all of it, and none
everything has no meaning and too much meaning all at once. frequencies cancel each other out and all i hear is a low melancholy hum in this saturating heat. i am in somebody's car chain-smoking in the back because that's all i do these days instead of the other. did i say i've become a ghost? how then, so visible?
you're staring, don't you know. don't assume my eye contact in the rearview has meaning. Old Man and the Sea was about fishing, after all. but something more too. and that's what you're looking for. you won't find it here. my face has been saying you don't know me, you never will since i first learned to wear it.
i suddenly become very interested in a hangnail on my right index finger or maybe in the cars rushing past, their breeze whipping my hair. still smoking, and smoking. you say it's like i'm grieving. i say nothing. maybe i am. how many lives have i lost, living just this one? i want hair that looks best at its worst and hands that touch things in a certain way and meaning to solidify and condense so i am not so terrified all the time.
i have that urge to run again. too many know too much. surreal cities breed existential thoughts. my tights are in tatters, i'm all used up.
but hey, i won't run. where else is there to go? i'll stay and learn to expand space and create distance out of nothing, out of silence. how many senses fall into atrophy while we look and look and run our mouths? i would like to hear in your silences what you are really saying and leave you not knowing i know it. another secret you won't take.
you're staring, don't you know. don't assume my eye contact in the rearview has meaning. Old Man and the Sea was about fishing, after all. but something more too. and that's what you're looking for. you won't find it here. my face has been saying you don't know me, you never will since i first learned to wear it.
i suddenly become very interested in a hangnail on my right index finger or maybe in the cars rushing past, their breeze whipping my hair. still smoking, and smoking. you say it's like i'm grieving. i say nothing. maybe i am. how many lives have i lost, living just this one? i want hair that looks best at its worst and hands that touch things in a certain way and meaning to solidify and condense so i am not so terrified all the time.
i have that urge to run again. too many know too much. surreal cities breed existential thoughts. my tights are in tatters, i'm all used up.
but hey, i won't run. where else is there to go? i'll stay and learn to expand space and create distance out of nothing, out of silence. how many senses fall into atrophy while we look and look and run our mouths? i would like to hear in your silences what you are really saying and leave you not knowing i know it. another secret you won't take.
Subscribe to:
Posts (Atom)